This article interrogates the transforming sartorial styles of the Christian Protestant revivalist körtti movement in Finland in and around two very specific historical moments: Finland’s independence from Russia in 1917, and the amendment of the Marriage Act in 2014 that saw the legalization of same-sex marriage in 2017. The analysis covers crucial periods before and after the independence: late nineteenth and early twentieth century, when Russia sought to tighten its control over autonomous Finland and the Finnish intelligentsia organized to resist such attempts; through the civil war of 1918, to the turbulent right-/left-divided years of the 1920s and 1930s. Then, the liberalization of the körtti movement from the 1960s and 1970s onwards, and the effect of this upon the debates and battles over the equal marriage law before and after the law came into effect is discussed. I show how, through changing histories, changing garments have the capacity to play key roles. By focusing on a particular movement through different times, the article will consider how groups that go by the same name may be fundamentally different from their historical predecessors; how they may yet recognize a similar kind of garment even if they attach different associations to it, and how new garments are sometimes required in order to communicate the new positions of those movements and individuals. In the context of analyses of garments and cultural positions, this underlines the necessity to think of certain ‘times’ as part of a continuum in which changes and continuities in dress play out and influence sociopolitical relations.
A tale of two centuries: The körtti movement and dress in battles over Finnish politics and identities / Almila, Anna-Mari. - In: CLOTHING CULTURES. - ISSN 2050-0742. - (2019). [10.1386/cc_00009_1]
A tale of two centuries: The körtti movement and dress in battles over Finnish politics and identities
Anna-Mari Almila
2019
Abstract
This article interrogates the transforming sartorial styles of the Christian Protestant revivalist körtti movement in Finland in and around two very specific historical moments: Finland’s independence from Russia in 1917, and the amendment of the Marriage Act in 2014 that saw the legalization of same-sex marriage in 2017. The analysis covers crucial periods before and after the independence: late nineteenth and early twentieth century, when Russia sought to tighten its control over autonomous Finland and the Finnish intelligentsia organized to resist such attempts; through the civil war of 1918, to the turbulent right-/left-divided years of the 1920s and 1930s. Then, the liberalization of the körtti movement from the 1960s and 1970s onwards, and the effect of this upon the debates and battles over the equal marriage law before and after the law came into effect is discussed. I show how, through changing histories, changing garments have the capacity to play key roles. By focusing on a particular movement through different times, the article will consider how groups that go by the same name may be fundamentally different from their historical predecessors; how they may yet recognize a similar kind of garment even if they attach different associations to it, and how new garments are sometimes required in order to communicate the new positions of those movements and individuals. In the context of analyses of garments and cultural positions, this underlines the necessity to think of certain ‘times’ as part of a continuum in which changes and continuities in dress play out and influence sociopolitical relations.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.